This album isn't as consistent as the masterpieces Deserters Songs (by Mercury Rev) and The Soft Bulletin (by the Flaming Lips) but the high points are equally great, making it one of the most underrated albums of the turn of the millennium. It also analyses reviews to verify trustworthiness. My brother got me into the Flaming Lips (which I never made any connection til I read other reviews about the similarity) so I guess we're even steven. But being as essentially easygoing as they are is also what makes all the thematic material here so approachable, if you buy into it at all: Most of the time, it just doesn't sound like they're trying to prove a point-- a sense of modesty that made them feel more seductive and appealing to me than artists who showed up with grand statement in hand. Blowing minds and challenging conventions takes hard work and ego, and Grandaddy never seemed like they had a real capacity for either. Well, Get this album, look for their new release reported on their website to be next spring, and then get Yoshimi battles the Pink Robots. … At the time of its original release, a handful of critics claimed that The Sophtware Slump was better than OK Computer. wondrous stuff, warm, fuzzy pop masterpiece, it has dated much better than the radiohead or flaming lips albums it's often compared to. Still, an intimate club with Jason and crew at work sounds like a good place to be. A mix of spacey keyboards and dreamy space-folk, "Slump" is one of those rare albums you can just lie on your bed and listen all the way through, hypnotized. Reviewed in the United States on September 15, 2004. But then January 1, 2000 came, and I remember it being like every other day. However, the impact of software since the mid-1990s has been less benign for such centres.

The instruments & sounds are unlike any other rock band & yet rich in memetic rhythms (that will go through your head all day long!). Just great stuff, sent it as a gift to my brother and he was won over as well. Great...but I now know why they never hit it big, Reviewed in the United States on June 7, 2011. Reviewed in the United States on December 10, 2002. For more information view the SAGE Journals Sharing page. I've heard it through about seven times now and it gets better every time which is a good sign of a great album. Lean Library can solve it. If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. What is most striking about The Sophtware Slump, besides the band's resonating compositions, is its subtle approach towards invoking a strong cathartic response. The fear isn't that computers would destroy us, it's that we'd end up living in a futuristic world but still have the same old problems.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. The sound is clearer and better delineated here than it was on the initial release, and the bonus material-- which includes demos and a couple of EPs released around the same time-- is interesting to listen to once or twice but never gives me the feeling that they could've made The Sophtware Slump any more focused and consistent than it is. Members of _ can log in with their society credentials below, Environment and Planning A: Economy and Space, School of Geography, University of Nottingham, Nottingham NG7 2RD, England, This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 3.0 License (. Grandaddy's sad, quaint, low-key Y2K-era classic, which captured the point where the deflated myth of the American West met the deflated myth of technological salvation, gets the deluxe reissue treatment. Their sound was irrelevant. Lyrically, the album is just as contained. It sounded quaint then, too. Great...but I now know why they never hit it big, Reviewed in the United States on June 7, 2011. Though it's a little more self-conscious and not quite as accomplished as either of those albums, it is Grandaddy's most impressive work yet and one of 2000's first worthwhile releases. … Few albums are half as deservedly praised as "Sophtware Slump" is. Everyone should get it! This album isn't as consistent as the masterpieces Deserters Songs (by Mercury Rev) and The Soft Bulletin (by the Flaming Lips) but the high points are equally great, making it one of the most underrated albums of the turn of the millennium. And, West London mud aside, its elegant music and vivid lyricism made for … The email address and/or password entered does not match our records, please check and try again. Cheer up: It didn't get better, but it didn't get much worse, either. i skateboard to school, and i crank The Sophtware Slump up and up and it never gets old. This cd is so awesome...im going to buy the other two. I was a bit surprised to see someone thought the first album was brilliant but this was not so good. - : Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy Show all authors. For more information view the SAGE Journals Article Sharing page. The development of a satellite-Marshallian industrial district in Vancouver's film industry”, “Beyond production clusters: Towards a critical political economy of networks in the film and television industries”, “Digital effects in the spatial economy of film: Towards a research agenda”, “Hollywood versus the Internet: The media and entertainment industries in a digital and networked economy”, “Managing creativity: The tensions between commodities and gifts in a digital networked environment”, “Paradox in project-based enterprise: The case of film making”, “Flying through code/space: The real virtuality of air travel”, “Codes of life: Identification codes and the machine-readable world”, “The automatic management of drivers and driving spaces”, “E-commerce business models for the music industry”, “Recording studios: Relational spaces of creativity in the city”, “Digitalisierung and das Paradox informatorischer Reichweite in der Agentturfotografie”, “Geography of reputation: The city as the locus of business opportunity”, “Rationalization and democratization in the new technologies of popular music”, “Locating economic action: Projects, networks, localities, institutions”, “Cool projects, boring institutions: Temporary collaboration in social context”, “Fragile sector, robust practice: Project ecologies in new media”, “The project ecology of advertising: Tasks, talents and teams”, “An intermediary between production and consumption: The producer of popular music”, “Motivation of software developers in open source projects: An Internet-based survey of contributors to the Linux kernel”, “Digital piracy: An examination of low self-control and motivation using short-term longitudinal data”, “Low self-control and social learning in understanding students' intentions to pirate movies in the United States”, “Engineering the performance: Recording engineers, tacit knowledge and the art of controlling sound”, “Uncle Sam goes to Siliwood: Of landscapes, Spielberg and hegemony”, “Careers in project networks: The case of the film industry”, “Music that moves: Popular music, distribution and network technologies”, “From craft to art: The case of sound mixers and popular music”, “Conventions and the production of the popular-music aesthetic”, “Time–space (and digital) compression: Software formats, musical networks, and the reorganisation of the music industry”, “Scary monsters? But... there's about 8 unfamiliar things, so I rationalize that I love this album and maybe, just maybe, I NEED this expanded reissue. Always bigger on the other side of the pond, their magnum opus gets the deluxe reissue treatment in an import-only version (grrrr) that may make you question why you should bother spending 35 bucks on something you already have. You can be signed in via any or all of the methods shown below at the same time. Reviewed in the United States on May 5, 2017. Original song ideas, cool noises and rocking in the right places. The sadness that sounded like passivity on 1997’s Under the Western Freeway turned into philosophy on The Sophtware Slump: nonchalance as a way of isolating yourself from what bothers you. In the meanwhile, if you don't know 'em, you owe it to yourself to check out their best known record SOPHTWARE SLUMP.
I have just finished listening to this album for about the 100th time & thought it about time to write a review saying how excellent this album is & how it's such a pity that such a peerless CD of American Soft Rock has garnered so little attention. The Sophtware Slump manages to sound reasonably fresh, yields its share of unshakable melodies, and excels in production. Reviewed in the United States on July 15, 2016. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. only a seven because i enjoy under the western freeway more. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United Kingdom on 4 June 2012. Almost every song here seems unfinished, and while the The Sophtware Slump sounds great -- misfiring machines duel elegant pianos, guitars chug and grind, ancient synthesizers burst through the top end - it never goes much of anywhere. The music (the little I heard the first time) intruiged me- of course I didn't hear anything about Grandaddy on the radio or anywhere else, but with great new music, what's new!??

Sometimes heavier on the Radiohead, other times more on the E.L.O. All the special effects are what i love about it. This paper explores another part of the musical economy which has also been radically transformed through code, although, to date, this crisis has passed by with very little comment. The text on the cover of the CD booklet was spelled out in letters from an old PC keyboard over a grassy meadow with mountains in the background. From the spacy epic opener to the rock of Broken Household Appliance. Does the album sound quaint now?
I remember hearing 'The Crystal Lake' and 'Hewletts Daughter' on the radio and enjoying the alt-rock sound. Still, an intimate club with Jason and crew at work sounds like a good place to be.

Graduate school is just like chartsengrafs to me, and the other songs connect with me also. , you immediately discover that this album is quirky & yet compelling. The sound is so complex that it takes a few listens to fully absorb, yet you can listen to it and instantly be drawn in. What's this? Sometimes heavier on the Radiohead, other times more on the E.L.O. When the new album (Sumday) was released this year along with the infectious single 'Now Its On' I made up my mind and purchased both The Sophtware Slump and Sumday together, and having listened to them back-to-back I can really tell that the 2 years seperating the 2 albums has really marked a shift in style. Already a classic album the Sophtware Slump defined the early 00's indie scene. But it has just enough on the surface to strike an initial interest that unfolds, sometimes slowly, sometimes quickly, into the many brilliant aspects of this album and band. School of Geography, University of Nottingham, Nottingham NG7 2RD, England See all articles by this author. Realities, myths and geographies”, “Explaining industrial agglomeration: The case of the British high-fidelity industry”, “The music business and rap: Between the street and the executive suite”, “Guarding the commons: How community managed software projects protect their work”, “Net-working for a living: Irish software developers in the global workplace”, “The purchase versus illegal download of music by consumers: The influence of consumer response towards the artist and music”, “Golden ears and meter readers: The contest for epistemic authority in audiophilia”, “From ‘industrial districts’ to ‘knowledge clusters’: A model of knowledge dissemination and competitive advantage in industrial agglomerations”, “Speaking of sound: Language and the professionalization of sound-recording engineers”, “The emergence of a post-industrial music economy? Masterpiece.. Grandaddy are back with an amazing new record LAST PLACE. Loved her father

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