| The only problem with the film (beware--a spoiler is coming) is that the family should have just told Barbara the truth from the start--this is what any normal family would have done. A big help is Franz Waxman's strong background music that creates the right note of suspense. Regina: I can't get caught in the boys dorm again.Tom: Like the last time when we hooked up?Regina: You mean when you jerked off to my yearbook photo? True it has star quality with Stanwyck and Flynn, but what with the cartoonish supporting actors and very contrived ending which leaves you feeling cheated, it just never takes off. Her husband was the nephew of Errol Flynn, who is quick to question if Stanwyck is the genuine article after the family has never heard of her. This was a tense, suspenseful melodrama which I feel has gotten a bad rap since it came out. They tell him he is dead, but somehow the story doesn't convince her---deep down Stanwyck knows something is amiss (a bit tough to believe, I know that "feelings" are that accurate in real life). I am a huge fan of both Barbara Stanwyck and Errol Flynn. After that time, the intensity and interest picked up rapidly. And during the film Flynn alludes to a family ancestor who was a rable rouser and sailed about the world and married a French showgirl who was world renowned, a very possible reference to Flynn himself , he loved to sail and certainly was a rable rouser , and Flynn's first wife ( a popular French actress).Then the grim joke about her being poisoned was a snide aside (Flynn was paying alimony ever since the divorce). I thought the script was intelligent and that the pacing was good and that the ending was not a lame copout. It's too bad they didn't make more movies together. But all in all, I found this to be quite entertaining. Good potential, weak script, poor ending...but still fun to watch Stanwyck emote... Worth watching. Stanwyck plays Sandra, the widow of James Demarest, and arrives to consult with his uncle (Flynn) about James' estate. When Owen first meets Dodger, and asks if its that obvious he's a transfer, she tells him "It's a small school, word travels fast." The songs seem to fit into preordained categories, whether by plot association or genre requirement. Executive producer: Jack L. Warner. But, even if you can't, it's still worth seeing just for these stars acting in their prime. The movie's end was a big twist and is definitely worth watching. Stanwyck's character had some of Flynn's mothers characteristics. All rights reserved. A Thomson Production. Only the last one, a western where he played a man who was carried away by ambitious and greed so that he becomes relatively unsympathetic, was successful. Flynn's not particularly friendly towards her and she becomes suspicious about what really happened to her husband. Emanuel's "Breathe Underwater" is emo-inflected punk-pop, while the bland alt-metal of Adema's "Planets" seems included because of its "I won't cry wolf" chorus lyric. Solid suspense in black and white and with Barbara Stanwyck! It stars Errol Flynn, Barbara Stanwyck, Geraldine Brooks and Richard Baseheart. 84½ minutes. My only complaint about the film was the ending was too rushed. "Cry Wolf" came along when Errol Flynn's career was in slight decline. One last note of interest is that I believe this may have been the last movie where Barbara Stanwyck's hair length goes past her shoulders. Stanwyck, on the other hand, begins to suspect Flynn as having a role in her husband's death (or is he still alive, lurking around in the mansion late at night?). I enjoyed Barbara Stanwyck's athletic performance -- especially when she pulled herself up and down a dumbwaiter! Barbara is always fantastic, but what a dud!. 7,605 feet. She loved playing tough cookies, and that's what she served up here, a tough cookie who was really heroic and unafraid.

But -- and there is a big but here -- you have to approach it understanding that at one time most people believed that insanity could be passed on through the family line, and that it was an established fear that if one person in your family was insane, that others were likely to become insane, as well. Who knew he was capable of such acting? In "Cry Wolf" he shows unexpected depth and nuance - this from an actor known for one-dimensional action/ swashbuckling roles, in addition to his off-screen antics as a swordsman. It was a set-up. Stanwyck is investigating the death of her husband, who she freely admits she did not love, in order to collect a large inheritance. Let's get the awkward elephant out into the open: Barbara Stanwyck looks much older than Errol Flynn in Cry Wolf, yet she's supposed to be young enough to have married his nephew. Ending / spoiler for Cry_Wolf (2005), plus mistakes, quotes, trivia and more. The tone of the film is a lot more serious, perhaps a bit grim but still very watchable. And I wasn't disappointed, I was glued to the screen to see if Flynn was really up to no good. The story mainly revolves around a big house with many acres of land out in the sticks. There's some indie-minded stuff from the Sub Pop camp, including Low, Helio Sequence, and Rogue Wave. It seemed like they let Flynn play a part very similar to his own reserved scientist father and paired him with the head strong adventurous woman who resembled his mother. CRY WOLF, the present film, was Flynn's only real attempt at the noir style of movie. "Cry Wolf" isn't the greatest or the worst movie I've ever seen, but overall I enjoyed it. He made such interesting failures as THE SISTERS with Bette Davis, where he was a newspaper reporter in turn of the century San Francisco, who had a wanderjahr that interfered with his marriage. There is a bit of mystery about "Cry Wolf" until about the last 15 minutes when all is explained. cry wolf To claim that something is happening when it really isn't, which results in the rejection of subsequent valid claims. Hard-headed Stanwyck goes down in flames unearthing family skeletons! His uncle (Errol Flynn) isn't exactly welcoming, giving Stanwyck the insensitive to fight, even if to prove that they are evenly matched and she's no patsy.

I feel he had tremendous range as an actor.

I quite like this film. The expression comes from one of Aesop's fables, in which a young shepherd lies about a wolf threatening his flock so many times that people do not believe him when he and his flock are legitimately in danger. Richard Basehart is wasted in a small, poorly written role that gives him no substance at all. Emanuel's "Breathe Underwater" is emo-inflected punk-pop, while the bland alt-metal of Adema's "Planets" seems included because of its "I won't cry wolf" chorus lyric. Top Notch Acting and a Genuine Frightfest. She gets a cool reception from everyone except James' sister (Brooks). From the start, the characters played by Stanwyck and Flynn (both giving remarkable, nuanced performances) have an essential distrust of each other.

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