The Memory of Justice is a 1976 documentary film directed by Marcel Ophüls. Judgment. Throughout The Memory of Justice, Marcel Ophuls’s sprawling 1976 jeremiad on the Nuremberg trials, these are the terms that spring into action in nearly every scene.
To be clear, I am not referring to the Eichmanns or Himmlers of this world—those who were astoundingly capable of strategizing and planning the destruction of Europe’s Jews—but those at the bottom of the power structure, those who neither posed questions of those surrounding them nor investigated for more information.

As Vincent Canby wrote in The New York Times when The Memory of Justice was screened at the 1976 Cannes and New York Film Festival, Ophuls’ film “expands the possibilities of the documentary motion picture in such a way that all future films of this sort will be compared to it.” Seldom seen since its premiere and then only in rare 16mm prints, the film has now been painstakingly restored by the Academy Film Archive in association with Paramount Pictures and The Film Foundation. The Memory of Justice is a 1976 documentary film directed by Marcel Ophüls.It explores the subject of atrocities committed in wartime and features Joan Baez, Karl Dönitz, Hermann Göring, Hans-Joachim Kulenkampff, Yehudi Menuhin, Albert Speer and Telford Taylor. The four hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country. Guilt. He then addressed my grandfather, writing, “Dear Daniel, Albert Speer was a charming man, a great liar, and a dangerous criminal. I had written my undergraduate honors thesis on French Holocaust documentaries, in part focusing on this film, and had even managed to track down the cineaste himself for an informal interview.

Live Justice. [2] Hamilton Fish V organized a group of investors who were able to buy back the rights to the film from VPS and allow Ophüls to complete it. Does such a thing as universally applicable morality exist?

They looked like ordinary people with a normal side to them.” Ophuls freezes this moment, prolonging the confrontation between the resister and those who were responsible. Now, left to pick up the pieces, the survivors test the boundaries of their newly defined reality in this moving true crime exploration of the nature and limits of familial love. Later, he was mesmerized, murmuring “Yes, that’s it, yes,” as Speer continued: “I wouldn’t attempt to deny that I’ve often acted in an opportunistic way, but no more really than everyone does in daily life, or in business when dealing with his boss.

The film was inspired by Telford Taylor's book Nuremberg and Vietnam: An American Tragedy, and Taylor is interviewed extensively during the film.

This exceptional, disturbing and thought-provoking documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. Evil does not always come swathed in swastikas; reprehensible acts are not committed solely by Nazis or the bloodthirsty. As for today, the film’s “lessons” about collaboration and moral compromise are as relevant now as they were in 1976. The scene creates a bizarre, forced intimacy with the war criminal; you find yourself nodding, appraising Speer’s charm . I was there, too, however minor and ‘innocuous’ my role.” My grandfather damningly concluded: “‘My moral failure,’ Speer says, ‘is not a matter of this item and that; it resides in my active association with the whole course of events.’ That accusation—and the more specific one of willful, irresponsible ignorance and neglect of human consequences—are truths that I must live with. [4], The Memory of Justice was restored by the Academy Film Archive in 2015. Many of Marcel Ophuls’s films rely on a triad (France, the United States, and Germany) representing both native and adopted lands; this minute focus often comes at the expense of other players but makes the utmost sense. This represents just one aspect of the intensely intimate nature of The Memory of Justice; Ophuls himself has stated that he is proudest of this, his most personal work to date. In the beginning of WWII, with Britain becoming desperate, Churchill orders his new spy agency -- the Special Operations Executive (SOE) -- to recruit and train women as spies. Due to the ongoing pandemic, the panels, artist talks, film screenings, and other events will instead take place online. He reiterates what he proclaimed at Nuremberg: “The trial is necessary. It explores the subject of atrocities committed in wartime and features Joan Baez, Karl Dönitz, Hermann Göring, Hans-Joachim Kulenkampff, Yehudi Menuhin, Albert Speer and Telford Taylor.

The public is still vibrant with the nearly five hours projection (although the version projected is a 10 years old TV recording in DVD - the only existing 16mm copy seems to be in Germany in 29 reels).Very dense, tense and complex editing makes this film another fascinating film from the director. This monumental film raises essential questions about the moral choices made by individuals and governments in wartime.

(Without explicitly using the phrase, Ophuls’s film builds on Hannah Arendt’s famous notion of the “banality of evil.”) Sometimes, however, the film can be guilty of queasy identification, as demonstrated by the testimony of Ophuls’s major witness, Albert Speer. This revealing and humorous documentary sees the slacker filmmaker go on a sexual and emotional odyssey in a des... 'Electoral Dysfunction' uses irreverent humor to illuminate how voting works - and doesn't work - in America. Vincent Canby, "Film Fete: The Memory of Justice", David Denby, "The Sorry and the Pity of A Film About Nuremberg,", David Denby, "Two Suppressed Documentaries: A Happy Ending,", Last edited on 18 September 2020, at 22:29, Nuremberg and Vietnam: An American Tragedy, "Festival de Cannes: The Memory of Justice", The Memory of Justice - British Film Institute, https://en.wikipedia.org/w/index.php?title=The_Memory_of_Justice&oldid=979122978, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 September 2020, at 22:29. Uncompromising reporting, progressive commentary – delivered monthly to your inbox. Crime drama in which a man unknowingly helps a gang pull off a big heist. When Speer described his fellow accused as narrow-minded—“often decent people . updates. Yesterday evening, Paris cinema Etoile, 23.00 : Two masters of documentary together. . Filmmaker Marcel Ophüls examines war atrocities committed by the Nazis, the French in Algeria, and the United States in Vietnam. . After years spent studying this film, I have come to realize that collaboration with oppressive leaders and systems is stunningly normal and far from extraordinary.

In Mexico, families have passed down the tradition of distilling agave for generations. After fumbling with Dan’s Fire TV, we finally got the film to start. . Can one be both legally innocent and morally guilty?

With millions of believers worldwide, The Church of the Flying Spaghetti Monster is the world's fastest growing religion. My grandfather had started to read parts of Speer’s 1969 memoir, Inside the Third Reich, aloud to his audience, believing at first that he was “detached.” But then, thinking of Robert McNamara or McGeorge Bundy, “I heard my own voice growing low and halting. . Faculty & Staff, This HBO2 presentation marks the world television premiere of the restored version. I was not surprised to learn that the two intellectuals—stubborn and often haughty—butted heads, even as they spoke of the other with grudging respect. A zombie and a writer team up to solve crimes in this thrilling drama that explores what happens when someone actually comes back to life. In his starring debut Roy gets elected to congress in order to bring water to the ranchers in his district. As should any American official known to me who has been associated with Vietnam.”, When I wrote my master’s thesis on this film, I sent the finished product to Marcel Ophuls. . . They revealed a top-secret study of the history of the Vietnam War, thereby throwing into question the true nature of American involvement. We are first introduced to Speer in the snow outside his house, where he admits to having given hundreds of interviews since his release from Spandau Prison, the site of his incarceration for two decades. It travels to NYC John Jay College of Criminal Justice April 28-July 15, 2021.

Ophuls once said, “The Germans, unfortunately, are just like other people.” This touches at the very heart of this film, which poses the question of whether it is justified to condemn other peoples’ choices made in a specific situation. Independent filmmaker Chris Waitt attempts to interview his ex-girlfriends to find out why they dumped him. Just what am I to do with The Memory of Justice? It was originally financed in the summer of 1973 by BBC, Polytel, and a private company based in London, Visual Programme Systems (VPS), the latter of whom had wanted the film to dwell heavily on America's involvement in Vietnam and France's involvement in Algeria. This weighty film takes as its starting point the Nuremberg trials in 1945 and 1946, in which central figures from the Third Reich stood trial. The Bee Gees, made up of brothers Barry, Maurice, and Robin Gibb, wrote more than 1,000 songs and had 20 No. Oddly, he admitted that he had never seen the whole, five-hour documentary and remembered very little of the film shoot, except for his purported clash with Ophuls. When a surprise fourth person is sneaks into the room, the end results might be deadlier than the hit man. What is the relationship between collective guilt and individual guilt? Throughout The Memory of Justice, Marcel Ophuls’ sprawling 1976 jeremiad on the Nuremberg trials, these are the terms that spring into action throughout nearly every scene.

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