Cesta do praveku Even the presentation is whimsical — the three features are packaged in a functioning pop-up book. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. Gustave Doré is credited as a direct inspiration.

All the names were Anglicized. I was visiting my Aunt Virginia (yes, for real) and she dropped me off alone at the theater in Las Vegas. Enter for your chance to a win a NINTENDO SWITCH LITE Portable Game. Movies: Excellent Upon arrival, the travelers discover that the capital of this enchanted region, Emerald City, has been renamed Urfinville by the cunning and wicked Urfin. The Czech filmmakers take us on a prehistoric safari, a cruise to an island of Jules Verne sci-fi marvels, and into a brightly imagined, magical storybook fantasy. Color Even though we didn’t read film credits, we kids could tell when we were seeing familiar talent at work. They never ‘ran the show.’ Karel Zeman was the director, designer, writer and chief technical wizard on his Czech pictures, which go beyond ‘trickfilm’ mechanics to embrace a full-on fantasy world of absurd delights. QR CODE. Directed by Fyodor Dmitriev. We’re immediately struck by the muted pastels of the Eastern European color film stock, which I’m going to guess was a derivative of the German Agfa. The explosive finale has an anti-nuke tone, but any overt propaganda message is subdued. Zeman uses flat scenery, special three-dimensional props (some of them mechanical), miniature mattes, texture superimpositions and stop motion animation to achieve his effects. Not until college and access to the UCLA Research library’s Special Collections did I learn that we had admired a Czech State production.

Vynález zkázy carries Warner Bros.’ alternate English soundtrack for The Fabulous World of Jules Verne, and an extra gives us the Disney-like U.S. introduction with Hugh Downs. The effect is astonishing. 55 Views. Every new scene was a wonderment that went beyond the question, ‘how’d they do that?’   We were transported to the other side of movie reality, into something like a moving dream. The set pieces are utterly charming. Each of his three most popular films — the ones seen in the U.S. — has a different approach. The opening covers the history of flight until an astronaut reaches the moon. Cesta do praveku is a straight boy’s adventure, a kind of dream in which four boys explore prehistory via a river through a magic cave, into a landscape that functions as a time machine through the eons. Everything is textured with parallel lines, from costumes to the paneling of walls; it’s as if we were in a steel-engraved world suspended somewhere between 2D and 3D. He’s a writer and a film editor experienced in features, TV commercials, Cannon movie trailers, special montages and disc docus. The Fantastic Voyage remake finally seems to be crawling out of development hell, but moviegoers will have to wait a little while longer to see it. The cut-out box reveals a wide folding disc holder with three disc slots, and a pop-up book with a tableaux from each of the three features.

This product uses the TMDb API but is not endorsed or certified by TMDb. A beautiful passenger frees some birds as her ship sinks, a gesture that links Vynález Zkázy with the ‘End of an Age’ nostalgia of Georges Franju’s 1963 Judex. Lost underwater with his air running low, Hart hallucinates fish that fold into each other like a kaleidoscope, turning into butterflies. Trivia. Zeman’s most successful commercial item was picked up by Warner Bros. and outfitted with a new prologue starring TV’s Today Show host Hugh Downs. It wasn’t until DVD and the IMDB that we saw the full range of Karel Zeman’s productions in their original versions — Na komete, Ukradená vzducholod. Closing Date: Wed Nov 4, 2020, 09:00 AM, Copyright © 2020 Tribute Entertainment Media Group Three Fantastic Journeys by Karel Zeman Not so much a suspension of disbelief, as a suspension of dreary naturalism. Gilliam’s ‘handmade art-craft’ approach to fantasy seems rooted in this eclectic tale of the eccentric nobleman whose tall tales know no boundaries of logic or science. At first it seemed too good to be true, a movie all about the ‘fabulous’ aventures of one of the two authors I’d read at age nine, Jules Verne. The producers apparently wished to downplay the movie’s Soviet-bloc origin; there was also a Universal release of the animated Russian The Snow Queen (1959) with an on-screen introduction by Art Linkletter. Journey to the Beginning of Time When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap. Criterion’s extras give us alternate English-language versions for the first two films. This is a leisurely visit to a ‘dinosaurland,’ and its stop-motion animation workout does not compare with the unique creations of Ray Harryhausen.

Undersea divers ride little mechanical submarine bicycles. Psycho Krieg and the Fantastic Fustercluck , the fourth campaign add-on for Borderlands 3, will send you on a savage and surreal journey into madness starting September 10. In the U.S. the field was dominated by the Hungarian expatriate George Pal, who concentrated on his replacement-animation puppet fantasies. Fantastic Journey Hollywood Trailer Music Orchestra.

A few talented journeymen might be loaned between studios but few received credit and most remained anonymous.

Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. Sound: Excellent In the company of her new friends — the Tin Man, the Lion and the Scarecrow — young Dorothy leaves for the land of Oz. In old-time U.S. film studios, most clever special effects artists had to make planes crash and volcanoes erupt on shoestring budgets. But the mattes are so good that we often can’t tell if we’re looking at live action, animated drawings, or miniature stop-motion.

Cesta do praveku had a different cut, with new scenes added by an American distributor; the entire U.S. version Journey to the Beginning of Time is here. It was like vintage book illustrations come to life. Produced by Zdenek Novák. Monochrome images are contrasted with puffs of red smoke and blue ocean waters. (248 in toto) / Cesta do praveku, Vynález zkázy, Baron Prášil / available through The Criterion Collection / Street Date February 25, 2020 / 99.95

Yet Vynález zkázy’s hopeful, whimsical tone evokes the innocent wonder of Jules Verne. Ready to say goodbye to sanity, Vault Hunter? The clips look great, but they don’t exactly celebrate Karel Zeman.

(6187zema), Visit CineSavant’s Main Column Page Perhaps another observation from the disc commentaries explains the basic appeal of Karel Zeman’s films. Some of the flat cel animation (birds, etc.) What we take away is an appreciation of visual delights to dwarf most modern fantasies, where photo-real images are routine, and the magic is lost in creativity-by-committee. Supplements: Alternate English soundtrack for Invention for Destruction, U.S. opening for 1961 version; full English-language 1960 release of Journey to the Beginning of Time; Czech featurettes about Zeman, his techniques, his aims; feature docu Film Adventurer: Karel Zeman from 2015; four early Zeman short films: A Christmas Dream (1945), A Horseshoe for Luck (1946), Inspiration (1949) and King Lavra (1950); restoration demonstration with interview; new promos for the three films; New discussion featurette witha animators and special effect experts Phil Tippett and Jim Aupperle. Here's why. At first I was really disappointed, as were some of the kids in the theater with me.

Reviewed: February 5, 2020 When the Emperor of China issues a decree that one man per family must serve in the... Victor, a disillusioned sexagenarian, sees his life turned upside down... Tommy, 11 years old, is on the road again with her eccentric parents.... A terminally ill mother invites her family to their country house for... Paris, June 1940. YES; Subtitles: English (feature only)

From 2015 comes a longform (102 min.) Here’s John Landis on The Fabulous World of Jules Verne: Glenn Erickson left a small town for UCLA film school, where his spooky student movie about a haunted window landed him a job on the CLOSE ENCOUNTERS effects crew. This is the Baron’s story, after all, and he presumes that he’ll win our approval. Interestingly, the box is arrayed Euro-style, with the front on the opposite side that we expect, relative to the disc access. The submarine reaches the Count’s secret island base through an underwater tunnel, as in the Disney version. ... 'Unhinged' Retro Trailer: "Be Safe Out There" 'No Escape' Trailer 'The Devil All the Time' Trailer 'The War With Grandpa' Trailer.

In Munchausen, the even less predictable flights of fancy are expressed through a more eclectic blend of graphic effects. 1955, 1958, 1962 / Color + B&W / 1:37 flat Academy / 84, 81, 83 min. Value $260 Tippett and Aupperle lavish praise on Zeman while doing usual things like showing how stop-motion works (enough already) and commenting on the technical problems of re-photographing projected images (something that Zeman does very little of). Last Updated: October 11, 2020, Star Wars: Episode V - The Empire Strikes Back.

Although they are noted masters of stop-motion, between them they’re experts in camerawork, lighting and design as well. The trailers are new museum promos, not original theatrical items. Video: Excellent Unable to print gradients, parallel line patterns were drawn into the artwork to suggest shading and texture.

Starring: Vladimír Bejval, Petr Herrman, Zdenek Hustak, Josef Lukás. betrays its origin but the stop-motion model work is often extremely smooth. To my eyes, the matching between painted scenery and the real river background is aided by the narrower range of color. Some of the visuals are strongly reminiscent of the work of Georges Méliès. This seems fundamentally unfair, asking us to decide who is better and who is worse when they’re all magnificent in different ways. Film Editor: Vera Kutilova

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