1834.
Belle épreuve irrégulièrement rognée au coup de planche, sur japon mince. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. CONDITION: Condition Report:
Signed in the plate. C.Land a further, cut inscription below, Description:
Claudio Gellee IV / The painting "Ulysse remet Chryséidà son Père" by Claude Lorrain and dated 1644 is kept in the Louvre.
All prints, paintings and photos included in ClaudeLorrain.net are provided as an affiliate to Art.com who hold necessary permissions. Claude Gellée, dit « le Lorrain », (1600-1682), copie d'après, Scènes pastorales, paire d'huiles sur toile, exécutées par Amal Dagher, l'une signée et contresignée au verso, l'autre signée au verso, 59x71,5 et 63x80 cm. Fourth state (of 4). Condition Report:
Beide mit winzigen Rändchen, Bl. Description:
CHF1,000 - CHF1,500, Description:
Image Size 5 7/8 x 6 1/8 inches. $600,000 - $800,000, Description:
LINED AND RETACKED TO ORIGINAL STRETCHER, CRAQUELURE, AREAS OF PAINT LOSS WHERE CANVAS REACHES FRAME. In 1633 he became a member of the Accademia di S. Luca, and by this time he was already establishing himself as one of the leading landscape painters in Rome. This oil painting on canvas bears restorations throughout, it is framed in heavy carved wood framed with plaque inscribed: "Repeopling The Earth After The Deluge - 1600 Claude Lorrain 1682 - From the Collection of the Earl of Egremont". – Mit dem gestochenem Text, dort auch Lorrains eigentlicher Name Gellée (»Gillee«) und die Datierung »Roma 1662«. Frederick Christian Lewis, Claude Gelle'e Lorrain. Description:
Le Temps, Apollon et les Saisons (Time, Apollo and the Seasons) Claude Lorrain. Description:
By the end of the 1630s his clients included Pope Urban VIII (Maffeo Barberini) and Philip IV of Spain (see Habsburg), and he was unrivalled as the foremost landscape painter in Italy. 1840 London. strada /
[Skip to content] Russell nel suo catalogo per la mostra del 1983 del lavoro di Lorrain alla National Gallery of Art (Washington), afferma come questo soggetto della rapina dei viaggiatori era popolare tra la fine del XVI e il XVII secolo. H: 24 1/2 W: 36 3/4 in.
LE PORT DE MER AU FANAL Claude began this album of drawings (which is now in the British Museum) in about 1635; it contains 195 sheets detailing virtually every picture he painted from that time until his death (he seems to have valued it increasingly as a work of art in itself and it is uncertain how adequately it fulfilled its purpose as a protection against fraud). Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
John. and privacy policy, Enter your email address below and weâll send you a link to reset your password, I agree to the Art UK terms and conditions Description:
Landscape near Rome with a View of the Ponte Molle, A Pastoral River Landscape with Fishermen, Pastoral Landscape with Lake Albano and Castel Gandolfo, A Classical Landscape with Cattle Crossing a Stream, Coast Scene with the Embarkation of Saint Paul, https://artuk.org/lorrain-claude-16041682, English Heritage, The Wellington Collection, Apsley House, National Galleries of Scotland, Scottish National Gallery, National Museum Wales, National Museum Cardiff, National Trust, Kedleston Hall and Eastern Museum.
of Art), although one or two undated pictures may precede it. 163 x 225mm - 156 x 220mm This is not a modern reprint but was hand pulled from the copper plate c 1880. oil on canvas 18TH C. OIL ON CANVAS PAINTING OF SEAPORT WITH THE VILLA MEDICI, IN THE MANNER OF CLAUD GELLEE, CALLED CLAUDE LORRAIN (1600-1682) IN LATER FRENCH SWEPT GOLD LEAF FRAME, Condition Report:
Lot 12: Group of 4 etchings attributed to Claude Lorrain. Mannocci 8. 1662. – Mit dem feinen Strich unter »lizenza«. 12,9 x 18,2 cm. He began his career in Rome, where he trained under Agostino Tassi, who contributed to his interest in perspective. CLAUDE GELLEE DIT CLAUDE LORRAIN (1600-1682)Un port de mer animé. and privacy policy, My details can be shared with selected Art UK Partners, Landscape near Rome with a View of the Ponte Molle 1645. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described. The strike is crisp and the lines are sharp. Description:
Claude Gellee Lorrain (French 1600-1682)- ''La Tempete'' & ''Mercure et Argus'' (Robert-Dumesnil 5, 17); (Blum 1, 38); Russell 4, 49); (Mannocci 6v/vi, 42Cii./iii)- 2 etchings, 1630, 1662, on handmade paper, 1st affixed to old mount at top and collector;s boind-stamp loweer right corner. Estimate:
Liber Studiorum of Claude Lorrain.London. ), Capriccio with Isola Tiberina, circa 1635-1640, Lot 10: Frederick Christian Lewis-Claude Gellée Lorrain.
Image size 6 1/2 x 9 inches. $1,500 - $2,500.
Chamagne bei Mirecourt 1600 - 1682 Rom Landscape with two brigands; at the edge of a wood, two brigands attacking a man near a palm tree, while two others are taking his wife away. After Claude le Lorrain (1600-1682) Port of Antioch, Oil on canvas. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. Bl. Antique copper plate etching on laid paper after the 1636 original by master engraver, Amand Durand. Claude Gellée, dit le Lorrain (1600-1682) Le Naufrage. 4 parts, 104 engraved plates, comprising: engraved general title, 4 engraved part titles, engraved plate list in pts I and II, engraved subscriber list in pt.
Etching, 1662. Lot 2: Claude Lorrain. Je ca. 5" x 7 11/16".
This is not a modern print.
197x259 mm; 7 7/8x10 1/4 inches, wide margins.
– Auf Velinkarton mit geprägter Bezeichnung aufgezogen. Claude LORRAIN. Artists. and participating auction houses. This piece has been professionally matted and framed using all new materials.
View over 841 Claude Lorrain artworks sold at auction to research and compare prices. Le Troupeau en marche par un temps orageux (The herd returning in stormy weather) Size: 96'' x 71'', 244 x 180 cm (stretcher), 80'' x 106'', 203 x 269 cm (frame). 180 x 130. Un totale di 104 Tavole incise in acquatinta, presenza di foxing e spotting, buon esemplare. GELEE : Le Naufrage.
Hagar and the Angel.
Folio 495x343 mm. Auctions . Description:
Remember me (uncheck on a public computer), By signing up you agree to terms and conditions Eau-forte. Claude Lorrain Mezzotint Engraving on a Thick Woven Paper 205mm X 260mm, Description:
Lot 23: Claude Lorrain (French, b. $6,000 - $9,000, Description:
the sheet set within added margins, bearing, lower center, the artist's initials: CLAUDE GELLÉE (1600-1682)
Frame is 17 3/4" x 14 1/4". (sight), 25 1/4 x 29 1/4 in. This sensitivity was based on loving observation of nature: Sandrart records that he would sometimes spend all day in the countryside around Rome watching the effects of light, and he made hundreds of drawingsâworks of great breadth and freedomârecording his impressions (many of them are in the British Museum).
Approximately 14 x 15 inches.
Original etching was created in 1636. 1840 Folio, leg.
Eau-forte. This piece has been professionally matted and framed using all new materials. Condition Report:
In 1625 he returned to Lorraine, and collaborated with the court painter Claude Deruet (1588â1660) on church frescos (destroyed) in Nancy, but by 1627 he was back in Rome, where except for local journeys he remained for the rest of his life. Seventh state (of 9). Description:
Not examined out of frame, some damage to Gesso surface.
“Odysseus returns Chryseis to her father" GELEEChamagne bei Mirecourt 1600 - 1682 RomLe Dessinateur - Le Pont de Bois (Rebecca et Eliezer)2 Bll. Lot 28: Claude Gellée, dit le Lorrain (1600-1682) Le Naufrage. – Kleiner Fingerfleck.
Le Bouvier (The cowherd)
Soon, however, Claude blended this with the Italian tradition of classical or ideal landscape that had been initiated by Annibale Carracci: he retained the northern sense of richness and variety, but his compositions became much grander (although not so austere as those of Annibale or Poussin). €45,000 - €90,000.
CAD5,000 - CAD7,000. Posts about Jan Both written by adfarga . River Scenes Cleopatra Disembarking at Tarsus, 1642-1643, The Trojan Women Setting Fire to Their Fleet, ca.
In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. This impression is well more than 130 years old. Pittore e incisore, fu tra i più grandi iniziatori della pittura di paesaggio, in particolare del genere del 'paesaggio classico'. un mile [per] 1834. The Estate of Claude Lorrain and their presence hold all necessary copyrights and licences for all of his paintings and other works. Lot 2: CLAUDE GELLÉE, CALLED CLAUDE LORRAIN | The Valley of the Aniene, Near Tivoli, With the Ruins of the Aqua Anio Novus Aqueduct, Lot 3: Claude Lorrain (1600-1682) Le Bouvier (The cowherd); Le Troupeau en marche par un temps orageux (The herd returning in stormy weather) (2), Lot 6: Claude Lorrain Embarkation of the Queen of Sheba 1886 engraving. Oil/canvas. Claude le Lorrain (French ca. Description:
This is a state VII on IX before the ommission of the number 8 in the let margin and before the later rework of state IX. Similarly, the figures in his early works tend to be anonymous and dressed in contemporary costume, but from about 1640 they are usually taken from religious or mythological stories (although unlike his friend Poussin he never tried to recreate these stories accurately).
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